{"id":494,"date":"2020-06-21T00:45:38","date_gmt":"2020-06-21T00:45:38","guid":{"rendered":"https:\/\/deathandillness.com\/publicaciones\/"},"modified":"2024-04-22T16:38:51","modified_gmt":"2024-04-22T16:38:51","slug":"publicaciones","status":"publish","type":"page","link":"https:\/\/deathandillness.com\/en\/publicaciones\/","title":{"rendered":"Resultados"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; custom_padding_last_edited=&#8221;off|desktop&#8221; next_background_color=&#8221;#dddddd&#8221; admin_label=&#8221;section&#8221; _builder_version=&#8221;4.18.0&#8243; background_color=&#8221;#4DC8C5&#8243; background_enable_image=&#8221;off&#8221; min_height=&#8221;81px&#8221; custom_padding=&#8221;||50px||false|false&#8221; custom_padding_tablet=&#8221;50px|0|50px|0&#8243; bottom_divider_style=&#8221;slant&#8221; bottom_divider_height=&#8221;40px&#8221; transparent_background=&#8221;on&#8221; make_fullwidth=&#8221;off&#8221; use_custom_width=&#8221;off&#8221; width_unit=&#8221;on&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row _builder_version=&#8221;4.18.0&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;||0px|||&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.18.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.18.0&#8243; _module_preset=&#8221;default&#8221; text_font=&#8221;|800||on|||||&#8221; text_text_color=&#8221;#FFFFFF&#8221; text_font_size=&#8221;18px&#8221; text_line_height=&#8221;1.9em&#8221; header_font=&#8221;|700||on|||||&#8221; header_font_size=&#8221;35px&#8221; header_line_height=&#8221;1.3em&#8221; custom_margin=&#8221;||3px|||&#8221; header_font_size_tablet=&#8221;35px&#8221; header_font_size_phone=&#8221;20px&#8221; header_font_size_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h1>Publicaciones<\/h1>\n<p>Pendiente de incorporar m\u00e1s publicaciones del grupo[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.18.0&#8243; _module_preset=&#8221;default&#8221; background_color=&#8221;#dddddd&#8221; custom_padding=&#8221;0px||0px||true|false&#8221; collapsed=&#8221;on&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row column_structure=&#8221;1_4,1_4,1_4,1_4&#8243; _builder_version=&#8221;4.18.0&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;10px||||false|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.18.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.18.0&#8243; _module_preset=&#8221;default&#8221; text_font=&#8221;|700||on|||||&#8221; text_text_color=&#8221;#000000&#8243; text_orientation=&#8221;center&#8221; custom_margin=&#8221;||0px||false|false&#8221; custom_padding=&#8221;10px||10px||true|false&#8221; link_option_url=&#8221;#libros&#8221; border_width_top=&#8221;1px&#8221; border_color_top=&#8221;#4DC8C5&#8243; border_width_bottom=&#8221;1px&#8221; border_color_bottom=&#8221;#4DC8C5&#8243; global_colors_info=&#8221;{}&#8221; background__hover_enabled=&#8221;on|hover&#8221; background_color__hover=&#8221;#4DC8C5&#8243; background_enable_color__hover=&#8221;on&#8221; text_text_color__hover_enabled=&#8221;on|hover&#8221; text_text_color__hover=&#8221;#FFFFFF&#8221;]<\/p>\n<p>Libros<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.18.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.18.0&#8243; _module_preset=&#8221;default&#8221; text_font=&#8221;|700||on|||||&#8221; text_text_color=&#8221;#000000&#8243; text_orientation=&#8221;center&#8221; custom_margin=&#8221;||0px||false|false&#8221; custom_padding=&#8221;10px||10px||true|false&#8221; link_option_url=&#8221;#articulos&#8221; border_width_top=&#8221;1px&#8221; border_color_top=&#8221;#4DC8C5&#8243; border_width_bottom=&#8221;1px&#8221; border_color_bottom=&#8221;#4DC8C5&#8243; global_colors_info=&#8221;{}&#8221; background__hover_enabled=&#8221;on|hover&#8221; background_color__hover=&#8221;#4DC8C5&#8243; background_enable_color__hover=&#8221;on&#8221; text_text_color__hover_enabled=&#8221;on|hover&#8221; text_text_color__hover=&#8221;#FFFFFF&#8221;]<\/p>\n<p>EXPOSICIONES<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.18.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.18.0&#8243; _module_preset=&#8221;default&#8221; text_font=&#8221;|700||on|||||&#8221; text_text_color=&#8221;#000000&#8243; text_orientation=&#8221;center&#8221; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;10px||10px||true|false&#8221; link_option_url=&#8221;#proyectos_anteriores&#8221; border_width_top=&#8221;1px&#8221; border_color_top=&#8221;#4DC8C5&#8243; border_width_bottom=&#8221;1px&#8221; border_color_bottom=&#8221;#4DC8C5&#8243; global_colors_info=&#8221;{}&#8221; background__hover_enabled=&#8221;on|hover&#8221; background_color__hover=&#8221;#4DC8C5&#8243; background_enable_color__hover=&#8221;on&#8221; text_text_color__hover_enabled=&#8221;on|hover&#8221; text_text_color__hover=&#8221;#FFFFFF&#8221;]<\/p>\n<p>CONFERENCIAS INVITADAS Y <em>PAPERS<\/em> EN CONGRESOS<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.18.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.18.0&#8243; _module_preset=&#8221;default&#8221; text_font=&#8221;|700||on|||||&#8221; text_text_color=&#8221;#000000&#8243; text_orientation=&#8221;center&#8221; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;10px||10px||true|false&#8221; link_option_url=&#8221;#proyectos_anteriores&#8221; border_width_top=&#8221;1px&#8221; border_color_top=&#8221;#4DC8C5&#8243; border_width_bottom=&#8221;1px&#8221; border_color_bottom=&#8221;#4DC8C5&#8243; global_colors_info=&#8221;{}&#8221; background__hover_enabled=&#8221;on|hover&#8221; background_color__hover=&#8221;#4DC8C5&#8243; background_enable_color__hover=&#8221;on&#8221; text_text_color__hover_enabled=&#8221;on|hover&#8221; text_text_color__hover=&#8221;#FFFFFF&#8221;]<\/p>\n<p>en los medios<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; admin_label=&#8221;Section&#8221; module_id=&#8221;libros&#8221; _builder_version=&#8221;4.18.0&#8243; custom_padding=&#8221;10px||10px|||&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row column_structure=&#8221;1_2,1_4,1_4&#8243; admin_label=&#8221;Row&#8221; _builder_version=&#8221;4.18.0&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text admin_label=&#8221;metas&#8221; _builder_version=&#8221;4.18.0&#8243; _module_preset=&#8221;default&#8221; header_2_font=&#8221;|700||on|||||&#8221; header_2_text_color=&#8221;#4DC8C5&#8243; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h2>Libros<\/h2>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;metas&#8221; _builder_version=&#8221;4.18.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><strong>Mart\u00ednez Lucena, J.; Cambra Badii, I.\u00a0<\/strong>(Eds) (2020). Imaginarios de los trastornos mentales en las series. Barcelona: UOC. ISBN: 9788491806868<\/p>\n<p><strong>Morcate, Montse y Pardo, Rebeca\u00a0<\/strong>(Eds) (2019)\u00a0<a href=\"https:\/\/www.sanssoleil.es\/tienda\/la-imagen-desvelada-practicas-fotograficas-en-la-enfermedad-la-muerte-y-el-duelo-montse-morcate-y-rebeca-pardo-ed\/\">La imagen desvelada: pr\u00e1cticas fotogr\u00e1ficas en la enfermedad, la muerte y el duelo<\/a>. Vitoria-Gasteiz: Sans Soleil Ediciones.<\/p>\n<p><strong>Morcate, Montse\u00a0<\/strong>(2019)\u00a0<em>LUCTUS: respuestas a la enfermedad, la muerte y el duelo<\/em>. Publicaci\u00f3n con motivo de la Exposici\u00f3n LUCTUS.\u00a0Centre fotogr\u00e0fic Can Bast\u00e9. ISBN: 978-84-09-15182-0<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;metas&#8221; _builder_version=&#8221;4.18.0&#8243; _module_preset=&#8221;default&#8221; header_2_font=&#8221;|700||on|||||&#8221; header_2_text_color=&#8221;#4DC8C5&#8243; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h2>ART\u00cdCULOS Y CAP\u00cdTULOS DE LIBRO<\/h2>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.25.0&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;|-579px||||&#8221; custom_padding=&#8221;|0px||||&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3>2022<span style=\"font-weight: 400;\"><\/span><\/h3>\n<p><span style=\"font-weight: 400;\"><\/span><\/p>\n<p><span style=\"font-weight: 400;\"><strong>Morcate, Montse y Pardo, Rebeca<\/strong> (2022) \u00abPhotographic narratives of Covid-19 during Spain\u2019s state of emergency: images of death, dying and grief, Mortality\u00bb, DOI: <a href=\"https:\/\/www.tandfonline.com\/doi\/full\/10.1080\/13576275.2022.2141206\">10.1080\/13576275.2022.2141206<\/a><\/span><\/p>\n<p><span style=\"font-weight: 400;\"><strong>Pardo, Rebeca, y Morcate, Montse<\/strong> (2022) \u00abPhotojournalism and Covid-19: Representation and Invisibility During the First Confinement in Spain\u00bb. Profesional De La informaci\u00f3n 31 (2). <a href=\"https:\/\/doi.org\/10.3145\/epi.2022.mar.01\">https:\/\/doi.org\/10.3145\/epi.2022.mar.01<\/a>.<\/span><\/p>\n<h3><\/h3>\n<h3>2020<\/h3>\n<p><strong>Cambra-Badii, I., Guardiola, E., Ba\u00f1os, J.<\/strong>\u00a0(2020). From Marcus Welby, M.D. to The resident: the changing portrayal of physicians in TV medical dramas.\u00a0<em>Revista Medicina y Cine<\/em>, 16(2), 87-102.<a href=\"https:\/\/revistas.usal.es\/index.php\/medicina_y_cine\/article\/view\/rmc202016287102\/21992\">\u00a0https:\/\/revistas.usal.es\/index.php\/medicina_y_cine\/article\/view\/rmc202016287102\/21992<\/a>. DOI 10.14201\/rmc202016287102<\/p>\n<p><strong>Cambra Badii, I.; Pinar, A.; Ba\u00f1os, J.\u00a0<\/strong>(2020) The Good Doctor and bioethical principles: a content analysis.\u00a0<em>Educaci\u00f3n m\u00e9dica<\/em>. Epub 27 de Febrero de 2020.<a href=\"https:\/\/www.elsevier.es\/es-revista-educacion-medica-71-avance-resumen-the-good-doctor-bioethical-principles-S1575181320300085\">\u00a0https:\/\/www.elsevier.es\/es-revista-educacion-medica-71-avance-resumen-the-good-doctor-bioethical-principles-S1575181320300085<\/a><\/p>\n<p><strong>Cambra Badii, I.; Paragis, M. P.; Mastandrea, P.; Mart\u00ednez, D.<\/strong>\u00a0(2019). Perspectiva bio\u00e9tica sobre el aborto en Argentina a trav\u00e9s del aporte del cine.\u00a0<em>Acta bioethica<\/em>. 2019 25 (2): 253-264.<a href=\"https:\/\/actabioethica.uchile.cl\/index.php\/AB\/article\/view\/54815\/57884\">\u00a0https:\/\/actabioethica.uchile.cl\/index.php\/AB\/article\/view\/54815\/57884<\/a><\/p>\n<p><strong>Cambra Badii, I.; Mart\u00ednez Lucena, J.\u00a0<\/strong>(2020a). El canto de los locos manifiesta nuestra jaula. En: Cambra Badii, I.; Mart\u00ednez Lucena, J.\u00a0<em>Imaginarios sobre las locuras en las series televisivas<\/em>. Barcelona: UOC. pp. 21-32. ISBN: 9788491806868<\/p>\n<p><strong>Cambra Badii, I.; Mart\u00ednez Lucena, J.<\/strong>\u00a0(2020b). La espectacularidad de la locura: el trastorno bipolar, la esquizofrenia y el trastorno disociativo en las series. En: Cambra Badii, I.; Mart\u00ednez Lucena, J.\u00a0<em>Imaginarios sobre las locuras en las series televisivas<\/em>. Barcelona: UOC. pp. 33-47. ISBN: 9788491806868<\/p>\n<p><strong>Cambra Badii, I.; Mart\u00ednez Lucena, J.<\/strong>\u00a0(2020c).Ep\u00edlogo: las locuras y nuestro sue\u00f1o americano. En: Cambra Badii, I.; Mart\u00ednez Lucena, J.\u00a0<em>Imaginarios sobre las locuras en las series televisivas<\/em>. Barcelona: UOC. pp. 207-218. ISBN: 9788491806868<\/p>\n<p><strong>L\u00f3pez de Munain, Gorka\u00a0<\/strong>(2020a), \u00bb The faces of disgust. Death masks of famous and infamous\u00bb, en European Journal of Anatomy.<\/p>\n<p><strong>Manton, Chanelle &amp; Prieto-Blanco, Patricia<\/strong>\u00a0(29\/05\/2920) \u201cSeeing Domiciliary Care Work. Affects, ethics, materialities\u201d. En The Sociological Review,\u00a0<a href=\"https:\/\/www.thesociologicalreview.com\/seeing-domiciliary-care-work-affects-ethics-materialities\/\">https:\/\/www.thesociologicalreview.com\/seeing-domiciliary-care-work-affects-ethics-materialities\/<\/a><\/p>\n<p><strong>Pardo, Rebeca<\/strong>\u00a0(2020b)\u00a0<a href=\"https:\/\/theconversation.com\/que-nos-define-como-seres-humanos-sobre-bromas-crueles-y-ciberacoso-144515?utm_source=facebook&amp;utm_medium=bylinefacebookbutton&amp;fbclid=IwAR16HmdQ9fksXlus6iQsvniQ3TlHPMwXeKuav5IsSxNvLFgYmXHyxMsUPNw\" target=\"_blank\" rel=\"noreferrer noopener\">\u00bfQu\u00e9 nos define como seres humanos? Sobre bromas crueles y ciberacoso<\/a>,\u00a0<em>The Conversation<\/em>, 21\/08\/2020.<\/p>\n<p><strong>Pardo, Rebeca<\/strong>\u00a0(2020c)\u00a0<a href=\"https:\/\/theconversation.com\/que-imagenes-formaran-parte-de-la-memoria-de-la-covid-19-141673\">\u00bfQu\u00e9 im\u00e1genes formar\u00e1n parte de la memoria de la\u00a0COVID-19?<\/a>,\u00a0<em>The Conversation<\/em>, 16\/07\/2020.<\/p>\n<p><strong>Pardo, Rebeca<\/strong>\u00a0(2020d)\u00a0<a href=\"https:\/\/theconversation.com\/las-imagenes-de-la-cuarentena-es-correcto-invisibilizar-el-drama-137210\">Las im\u00e1genes de la cuarentena: \u00bfes correcto invisibilizar el\u00a0drama?<\/a>,\u00a0<em>The Conversation<\/em>, 24\/04\/2020.<\/p>\n<p><strong>Pardo, Rebeca y Pi\u00f1ol, Marta\u00a0<\/strong>(2020) Demencia, violencia y series: una relaci\u00f3n peligrosa. En: Cambra Badii, I.; Mart\u00ednez Lucena, J.\u00a0<em>Imaginarios sobre las locuras en las series televisivas<\/em>. Barcelona: UOC. pp. 207-218. ISBN: 9788491806868.<\/p>\n<p><strong>Pardo, Rebeca<\/strong>\u00a0<strong>y Serra-Renom, Jos\u00e9 Mar\u00eda (<\/strong>2020a)\u00a0<a href=\"https:\/\/theconversation.com\/doctor-quiero-ser-como-mi-selfi-148198\" target=\"_blank\" rel=\"noreferrer noopener\">\u00a1Doctor, quiero ser como mi selfi!<\/a>,\u00a0<em>The Conversation<\/em>, 10\/11\/2020.<\/p>\n<p>&nbsp;<\/p>\n<h3>2019<\/h3>\n<p><strong>Morcate, Montse<\/strong>\u00a0(2019a) \u201cElaboraci\u00f3n y resignificaci\u00f3n del \u00e1lbum familiar a trav\u00e9s del proyecto de creaci\u00f3n en el duelo\u201d.\u00a0<em>Arte y Pol\u00edticas de Identidad<\/em>. 21, pp. 11 \u2013 28. Universidad de Murcia. ISSN 1889-979X<\/p>\n<p><strong>Morcate, Montse<\/strong>\u00a0(2019b) \u201cEl \u00e1lbum de los dolientes: un recorrido por las representaciones fotogr\u00e1ficas de muerte y duelo en el \u00e1mbito dom\u00e9stico\u201d. En Morcate, Montse y Pardo, Rebeca (Eds)\u00a0<a href=\"https:\/\/www.sanssoleil.es\/tienda\/la-imagen-desvelada-practicas-fotograficas-en-la-enfermedad-la-muerte-y-el-duelo-montse-morcate-y-rebeca-pardo-ed\/\">La imagen desvelada: pr\u00e1cticas fotogr\u00e1ficas en la enfermedad, la muerte y el duelo<\/a>. Vitoria-Gasteiz: Sans Soleil Ediciones.<\/p>\n<p><strong>Morcate, Montse y Pardo, Rebeca<\/strong>\u00a0(2019), Introducci\u00f3n. En Morcate, Montse y Pardo, Rebeca (Eds)\u00a0<a href=\"https:\/\/www.sanssoleil.es\/tienda\/la-imagen-desvelada-practicas-fotograficas-en-la-enfermedad-la-muerte-y-el-duelo-montse-morcate-y-rebeca-pardo-ed\/\">La imagen desvelada: pr\u00e1cticas fotogr\u00e1ficas en la enfermedad, la muerte y el duelo<\/a>. Vitoria-Gasteiz: Sans Soleil Ediciones.<\/p>\n<p><strong>Pardo, Rebeca\u00a0<\/strong>(2019) Fotograf\u00eda y enfermedad: iconograf\u00edas en transformaci\u00f3n. En Morcate, Montse y Pardo, Rebeca (Eds)\u00a0<a href=\"https:\/\/www.sanssoleil.es\/tienda\/la-imagen-desvelada-practicas-fotograficas-en-la-enfermedad-la-muerte-y-el-duelo-montse-morcate-y-rebeca-pardo-ed\/\">La imagen desvelada: pr\u00e1cticas fotogr\u00e1ficas en la enfermedad, la muerte y el duelo<\/a>. Vitoria-Gasteiz: Sans Soleil Ediciones.<\/p>\n<p>&nbsp;<\/p>\n<h3>2018<\/h3>\n<p>Morcate, Montse (2018) \u201cExhibiting pain, death and grief: from the art gallery to the image shared online.\u201d En Gonzalez-Polledo, Elena y Tarr, Jen (Eds.) Painscapes: Framing Pain Communication. R.U.: Palgrave Macmillan.<\/p>\n<p>Pardo, Rebeca (2018) \u201cPhotography and mental illness: feeding or combating the stigma of invisible pain online and offline\u201d En Gonzalez-Polledo, Elena y Tarr, Jen (Eds.) Painscapes: Framing Pain Communication. R.U.: Palgrave Macmillan.<\/p>\n<p>&nbsp;<\/p>\n<h3>2017<\/h3>\n<p>Morcate, Montse (2017) \u00abTipolog\u00edas y re-mediaci\u00f3n de las im\u00e1genes de muerte y duelo compartidas en la memorializaci\u00f3n online.\u00bb En Revista M. Estudos sobre a Morte, os Mortos e o Morrer, v. 2, n. 3: 30-44.<\/p>\n<p>Pardo, Rebeca (2017) \u201cEnfermedad Mental, Fotoperiodismo e Internet: hacia una visi\u00f3n m\u00e1s humana y normalizadora\u201d. En adComunica. Revista Cient\u00edfica de Estrategias, Tendencias e Innovaci\u00f3n en Comunicaci\u00f3n, n\u00ba13. Castell\u00f3n: Asociaci\u00f3n para el Desarrollo de la Comunicaci\u00f3n adComunica y Universitat Jaume I, P. 83-109. DOI: <a href=\"http:\/\/dx.doi.org\/10.6035\/2174-0992.2017.13.6\">http:\/\/dx.doi.org\/10.6035\/2174-0992.2017.13.6<\/a><\/p>\n<p>&nbsp;<\/p>\n<h3>2016<\/h3>\n<p>Morcate, Montse y Pardo, Rebeca (2016) \u201cGrief, illness and death in contemporary photography\u201d. En Thomas, Helen (Ed.) Malady and Mortality: Illness, Disease and Death in Literary and Visual Culture. Pp. 245-254. R.U.: Cambridge Scholars.<\/p>\n<p>Pardo, Rebeca y Morcate, Montse (2016). \u201cIllness, death and grief: the daily experience of viewing and sharing digital Images\u201d. En: G\u00f3mez Cruz, Edgar y Lehmuskallio, Asko (eds.). Digital Photography and Everyday Life. Routledge, 70-85.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_image src=&#8221;https:\/\/deathandillness.com\/wp-content\/uploads\/2020\/06\/Captura-de-pantalla-2020-06-21-a-las-2.42.35.png&#8221; title_text=&#8221;NUESTROS LIBROS&#8221; show_in_lightbox=&#8221;on&#8221; force_fullwidth=&#8221;on&#8221; _builder_version=&#8221;4.18.0&#8243; _module_preset=&#8221;default&#8221; box_shadow_style=&#8221;preset1&#8243; global_colors_info=&#8221;{}&#8221; transform_styles__hover_enabled=&#8221;on|hover&#8221; transform_scale__hover_enabled=&#8221;on|hover&#8221; transform_translate__hover_enabled=&#8221;on|desktop&#8221; transform_rotate__hover_enabled=&#8221;on|desktop&#8221; transform_skew__hover_enabled=&#8221;on|desktop&#8221; transform_origin__hover_enabled=&#8221;on|desktop&#8221; transform_scale__hover=&#8221;105%|105%&#8221;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_image src=&#8221;https:\/\/deathandillness.com\/wp-content\/uploads\/2020\/12\/LIBRO_SERIES_TRAS_MENTALES.jpg&#8221; title_text=&#8221;LIBRO_SERIES_TRAS_MENTALES&#8221; show_in_lightbox=&#8221;on&#8221; force_fullwidth=&#8221;on&#8221; _builder_version=&#8221;4.18.0&#8243; _module_preset=&#8221;default&#8221; box_shadow_style=&#8221;preset1&#8243; global_colors_info=&#8221;{}&#8221; transform_styles__hover_enabled=&#8221;on|hover&#8221; transform_scale__hover_enabled=&#8221;on|hover&#8221; transform_translate__hover_enabled=&#8221;on|desktop&#8221; transform_rotate__hover_enabled=&#8221;on|desktop&#8221; transform_skew__hover_enabled=&#8221;on|desktop&#8221; transform_origin__hover_enabled=&#8221;on|desktop&#8221; transform_scale__hover=&#8221;105%|105%&#8221;][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; prev_background_color=&#8221;#ffffff&#8221; admin_label=&#8221;Section&#8221; module_id=&#8221;articulos&#8221; _builder_version=&#8221;4.18.0&#8243; background_color=&#8221;#ededed&#8221; custom_padding=&#8221;10px||10px|||&#8221; top_divider_style=&#8221;slant&#8221; top_divider_height=&#8221;40px&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row admin_label=&#8221;Row&#8221; _builder_version=&#8221;4.18.0&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text admin_label=&#8221;metas&#8221; _builder_version=&#8221;4.25.0&#8243; _module_preset=&#8221;default&#8221; header_2_font=&#8221;|700||on|||||&#8221; header_2_text_color=&#8221;#4DC8C5&#8243; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h2>EXPOSICIONES<\/h2>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;metas&#8221; _builder_version=&#8221;4.18.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><b>Pardo, Rebeca<span>\u00a0<\/span><\/b>(2020)<span>\u00a0<\/span><em><a href=\"https:\/\/capturing-chronic-illness.com\/2020\/11\/16\/rebeca-pardo-rincon-de-soto-la-rioja-spain-4-photos\/?fbclid=IwAR2GqtNTs8j-eatgr0KfGyGgmFpXvAAfr8M3XvQg-V_6Wdr-ymkLrHTNlCU\">Mis enfermedades cr\u00f3nicas y el confinamiento<\/a>. En Capturing Chronic Illness,<span>\u00a0<\/span><\/em>Being Human Festival, de la School of Advanced Study, University of London in partnership with the Arts &amp; Humanities Research Council and the British Academy. Centre for Biomedicine, Self and Society\u2019s Visualizing Bodies programme.<\/p>\n<p><b>Morcate, Montse<span>\u00a0<\/span><\/b>(2019)<span>\u00a0<\/span><i>LUCTUS: respuestas a la enfermedad, la muerte y el duelo<\/i>. Exposici\u00f3n LUCTUS.\u00a0Centre fotogr\u00e0fic Can Bast\u00e9<span style=\"font-weight: 400;\"><\/span><\/p>\n<p><span style=\"font-weight: 400;\"><\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; prev_background_color=&#8221;#ededed&#8221; admin_label=&#8221;Section&#8221; module_id=&#8221;proyectos_anteriores&#8221; _builder_version=&#8221;4.18.0&#8243; background_color=&#8221;#FFFFFF&#8221; custom_padding=&#8221;10px||10px|||&#8221; top_divider_style=&#8221;slant&#8221; top_divider_height=&#8221;40px&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row admin_label=&#8221;Row&#8221; _builder_version=&#8221;4.18.0&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text admin_label=&#8221;metas&#8221; _builder_version=&#8221;4.18.0&#8243; _module_preset=&#8221;default&#8221; header_2_font=&#8221;|700||on|||||&#8221; header_2_text_color=&#8221;#4DC8C5&#8243; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h2>CONFERENCIAS INVITADAS Y <em>PAPERS<\/em> EN CONGRESOS<\/h2>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;metas&#8221; _builder_version=&#8221;4.18.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<div class=\"et_pb_module et_pb_text et_pb_text_4  et_pb_text_align_left et_pb_bg_layout_light\">\n<h3 class=\"et_pb_text_inner\"><strong><span style=\"font-size: large;\">CONFERENCIAS INVITADAS<\/span><\/strong><\/h3>\n<\/div>\n<div class=\"et_pb_module et_pb_text et_pb_text_5  et_pb_text_align_left et_pb_bg_layout_light\">\n<div class=\"et_pb_text_inner\">\n<h3>2020<\/h3>\n<p><b><strong>Cambra Badii, I.\u00a0<span>\u00a0<\/span><\/strong><\/b>(25\/09\/2020) 50 a\u00f1os de series m\u00e9dicas: representaciones sobre los profesionales de la salud y las epidemias. Universitat de Girona, Facultad de Medicina, asignatura<span>\u00a0<\/span><i>Introducci\u00f3n a las humanidades m\u00e9dicas<\/i>. Girona, 25 de septiembre de 2020.<\/p>\n<p><b><strong>Cambra Badii, I.<\/strong><\/b><span>\u00a0<\/span>(19\/05\/2020) The Good Doctor y otras series m\u00e9dicas: su importancia para la bio\u00e9tica. Jornada Bio\u00e9tica y Cine. 19 de mayo de 2020. Universidad El Bosque, Colombia.<\/p>\n<p><b>Morcate, Montse<span>\u00a0<\/span><\/b>(noviembre, 2029) \u00abMemoria y duelo: reinterpretando el \u00e1lbum familiar a trav\u00e9s del proyecto de creaci\u00f3n\u00bb en el II CONGRESO INTERNACIONAL ARTE Y POL\u00cdTICAS DE IDENTIDAD. Universidad de Murcia. Noviembre, 2019.<\/p>\n<p><strong>Pardo, Rebeca<\/strong><span>\u00a0<\/span>(21\/10\/2020) \u00abRetos metodol\u00f3gicos de la investigaci\u00f3n en Humanidades Digitales\u00bb, Conferencia impartida en el curso<span>\u00a0<\/span><em>Investigaci\u00f3n en Red y Sociedad Digital<\/em>, M\u00e1ster en Metodolog\u00eda de la Investigaci\u00f3n en Ciencias Sociales: Innovaciones y Aplicaciones la Facultad de Ciencias Pol\u00edticas y Sociolog\u00eda. Universidad Complutense de Madrid.<\/p>\n<p><strong>Pardo, Rebeca<\/strong><span>\u00a0<\/span>(27\/08\/2020) \u00abFOTODEMIA: las im\u00e1genes y el COVID-19\u00bb, Conferencia plenaria. En Jornadas Internacionales de Comunicaci\u00f3n: \u201cLa Comunicaci\u00f3n Audiovisual en la era de la virtualidad\u201d, Universidad de Piura (Per\u00fa).<\/p>\n<p><strong>Pardo, Rebeca<\/strong><span>\u00a0<\/span>(15\/02\/2020) \u00ab\u00bfLas im\u00e1genes de la enfermedad nos representan \u00e9tica y dignamente?\u00bb. En Mesa de clausura Art i ci\u00e8ncia: Viv\u00e8ncies de la malaltia des de l\u2019expressi\u00f3 art\u00edstica, XI Congr\u00e9s de la Societat Catalano-Balear de Cures Pal\u00b7liatives: \u00abCures Pal\u00b7liatives: Ci\u00e8ncia i Art\u00bb. Barcelona, 14-15 de febrero, 2020.<\/p>\n<p>&nbsp;<\/p>\n<h3>2019<\/h3>\n<p><strong>Cambra Badii, I.<\/strong><span>\u00a0<\/span>(01\/10\/2019) La consideraci\u00f3 dels metges a las s\u00e8ries de televisi\u00f3: de<span>\u00a0<\/span><i>Marcus Welby MD<\/i><span>\u00a0<\/span>(1969) a<span>\u00a0<\/span><i>The Resident<\/i><span>\u00a0<\/span>(2019). Hospital Sant Joan de Deu, Palma de Mallorca.<\/p>\n<p><strong>Cambra Badii, I.<\/strong><span>\u00a0<\/span>(24\/09\/2019) De Marcus Welby a The Resident: la imagen de los m\u00e9dicos en cincuenta a\u00f1os de series m\u00e9dicas de televisi\u00f3n. Universitat de Girona, Facultad de Medicina, asignatura<span>\u00a0<\/span><i>Introducci\u00f3n a las humanidades m\u00e9dicas<\/i>. Girona.<\/p>\n<p><strong>Pardo, Rebeca<\/strong><span>\u00a0<\/span>(29\/11\/2019) \u00abFotograf\u00eda familiar, enfermedad y el poder del acceso a la representaci\u00f3n p\u00fablica\u00bb, Conferencia plenaria, II Congreso Internacional Arte y Pol\u00edticas de Identidad: \u00abVisualidades y narrativas de la memoria: espacio urbano, naturaleza, migraciones, tecnolog\u00eda y g\u00e9nero\u00bb. Facultad de BB.AA., Universidad de Murcia.<\/p>\n<p><strong>Pardo, Rebeca<\/strong><span>\u00a0<\/span>(02\/07\/2019) \u00abDigital media, visual narratives of illness and public self-representation\u00bb, Centre for Digital Media Cultures, University of Brighton (Reino Unido).<\/p>\n<p>&nbsp;<\/p>\n<div class=\"et_pb_module et_pb_text et_pb_text_6  et_pb_text_align_left et_pb_bg_layout_light\">\n<div class=\"et_pb_text_inner\">\n<h3><em><\/em><\/h3>\n<h3><em><\/em><\/h3>\n<h3><span style=\"font-family: inherit;\"><strong><em>PAPERS<\/em> EN CONGRESOS<\/strong><\/span><\/h3>\n<\/div>\n<\/div>\n<div class=\"et_pb_module et_pb_text et_pb_text_7  et_pb_text_align_left et_pb_bg_layout_light\">\n<div class=\"et_pb_text_inner\">\n<h3>2020<\/h3>\n<p><b>Morcate, Montse (septiembre, 2020)<span>\u00a0<\/span><\/b>\u00abPhotographic responses to collective grief online: COVID-19 in Spain as a case study\u00bb, en Death and Culture III Conference 3,4 septiembre 2020. University of York.<\/p>\n<p>&nbsp;<\/p>\n<h3>2019<\/h3>\n<p><strong>Cambra Badii I.<\/strong><span>\u00a0<\/span>(2019). Innovaci\u00f3n educativa para la ense\u00f1anza de la bio\u00e9tica en ciencias de la salud: el aporte de las series m\u00e9dicas. III Congreso Internacional Virtual de Investigaci\u00f3n e Innovaci\u00f3n Educativa CIVINEDU 2019 organizado por REDINE, Red de Investigaci\u00f3n e Innovaci\u00f3n Educativa los d\u00edas 9 y 10 de octubre de 2019.<\/p>\n<p><strong>Cambra Badii I, Franc\u00e9s ML, Videla S, Montan\u00e9 E, Farr\u00e9 M, Ba\u00f1os JE<\/strong><span>\u00a0<\/span>(2019). El cine comercial como m\u00e9todo docente en farmacolog\u00eda cl\u00ednica: una experiencia emp\u00edrica. XXIV Congreso Nacional de Educaci\u00f3n M\u00e9dica y V Congreso Hispano-Luso. Salamanca, 6-8 de noviembre de 2019. Universidad de Salamanca, Espa\u00f1a.<\/p>\n<p><strong>Cambra-Badii, I.; Ortega, I; Moyano, E.; Ba\u00f1os, J. E.<\/strong><span>\u00a0<\/span>(2019) Visionado de series m\u00e9dicas de estudiantes de Medicina, Enfermer\u00eda y Biolog\u00eda Humana y sus potenciales implicaciones bio\u00e9ticas. Libro de Comunicaciones. Bio\u00e9tica y Compasi\u00f3n. XIV Congreso Internacional de Bio\u00e9tica, pp. 15-16. Madrid, 3 al 5 de octubre de 2019. ISBN 978-84-09-15111-0<\/p>\n<p><strong>Cambra Badii I, Sent\u00ed M, Ortega I, Moyano E, Ba\u00f1os JE<\/strong><span>\u00a0<\/span>(2019). Series m\u00e9dicas y estudiantes de ciencias de la salud. H\u00e1bitos de visionado y representaciones profesionales. XXIV Congreso Nacional de Educaci\u00f3n M\u00e9dica y V Congreso Hispano-Luso. Salamanca, 6-8 de noviembre de 2019. Universidad de Salamanca, Espa\u00f1a.<\/p>\n<p><b>Morcate, Montse y Pardo, Rebeca (septiembre, 2019)<span>\u00a0<\/span><\/b>\u00abSelf-referential photographic projects on death and grief: an educational challenge\u00bb, en DDD 14th conference Septiembre 2019, Centre for Death and Society (CDAS) at University of Bath (UK).<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>&nbsp;<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; prev_background_color=&#8221;#FFFFFF&#8221; admin_label=&#8221;Section&#8221; module_id=&#8221;articulos&#8221; _builder_version=&#8221;4.18.0&#8243; background_color=&#8221;#ededed&#8221; custom_padding=&#8221;10px||10px|||&#8221; top_divider_style=&#8221;slant&#8221; top_divider_height=&#8221;40px&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row admin_label=&#8221;Row&#8221; _builder_version=&#8221;4.18.0&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text admin_label=&#8221;metas&#8221; _builder_version=&#8221;4.25.0&#8243; _module_preset=&#8221;default&#8221; header_2_font=&#8221;|700||on|||||&#8221; header_2_text_color=&#8221;#4DC8C5&#8243; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h2>en los medios<\/h2>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.25.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<div class=\"et_pb_module et_pb_text et_pb_text_5  et_pb_text_align_left et_pb_bg_layout_light\">\n<div class=\"et_pb_text_inner\">\n<h2>2022<\/h2>\n<\/div>\n<\/div>\n<div class=\"et_pb_module et_pb_text et_pb_text_6  et_pb_text_align_left et_pb_bg_layout_light\">\n<div class=\"et_pb_text_inner\">\n<ul>\n<li><a href=\"https:\/\/www.larioja.com\/opinion\/ucrania-pantalla-20220507201804-nt.html?fbclid=IwAR1XD8u5aXQOpOgZjWHDaMGgBcu32jR7Dvo2pTM7LAIwQCIkgZ-NsR4rzDo#vca=fixed-btn&amp;vso=rrss&amp;vmc=fb&amp;vli=Opini%C3%B3n\">Ucrania en la pantalla<\/a>, Rebeca Pardo, P\u00e1gina de opini\u00f3n, Diario de La Rioja. 07\/05\/2022.<\/li>\n<li><strong><a href=\"https:\/\/www.rtve.es\/play\/videos\/detras-del-instante\/anna-turbau\/6533121\/\">Anna Turbau,<\/a><\/strong>\u00a0episodio del programa\u00a0<a href=\"https:\/\/www.rtve.es\/play\/videos\/detras-del-instante\/\">Detr\u00e1s del Instante<\/a>\u00a0dedicado a Anna Turbau en el que particip\u00f3 Rebeca Pardo como parte de los dos expertos entrevistados. 18\/05\/2022<\/li>\n<li><a href=\"https:\/\/www.premsacomarcal.cat\/noticia\/7591\/rebeca-pardo-joana-gallego-i-sergi-sola-nous-consellers-del-cic\">Rebeca Pardo, Joana Gallego i Sergi Sol\u00e0, nous consellers del CIC<\/a>, Premsa Comarcal, 29\/3\/2022<\/li>\n<li><a href=\"https:\/\/www.periodistes.cat\/actualitat\/noticies\/rebeca-pardo-joana-gallego-i-sergi-sola-nous-consellers-del-cic\">Rebeca Pardo, Joana Gallego i Sergi Sol\u00e0, nous consellers del CIC<\/a>, Col\u00b7legi de Periodistes de Catalunya \u2013 23\/3\/2022<\/li>\n<\/ul>\n<div class=\"et_pb_module et_pb_text et_pb_text_7  et_pb_text_align_left et_pb_bg_layout_light\">\n<div class=\"et_pb_text_inner\">\n<h2>2021<\/h2>\n<\/div>\n<\/div>\n<div class=\"et_pb_module et_pb_text et_pb_text_8  et_pb_text_align_left et_pb_bg_layout_light\">\n<div class=\"et_pb_text_inner\">\n<ul>\n<li><a href=\"https:\/\/www.larioja.com\/opinion\/fotografias-tiempo-pandemia-20210802203354-nt.html\">Fotograf\u00edas en tiempo de pandemia<\/a>, Rebeca Pardo, La Rioja, Secci\u00f3n Opini\u00f3n, 02\/08\/2021.<\/li>\n<li><a href=\"https:\/\/www.uic.es\/es\/noticia\/la-profesora-rebeca-pardo-participa-en-un-ciclo-de-conferencias-de-la-fundacion-la-caixa\">La profesora Rebeca Pardo participa en un ciclo de conferencias de la Fundaci\u00f3n \u201cla Caixa\u201d<\/a>, UIC Barcelona, 14\/05\/2021<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p><span style=\"color: #4dc8c5; font-size: 26px; font-weight: bold; text-transform: uppercase;\">2020<\/span><\/p>\n<div class=\"et_pb_module et_pb_text et_pb_text_10  et_pb_text_align_left et_pb_bg_layout_light\">\n<div class=\"et_pb_text_inner\">\n<ul>\n<li>\u00a0<a href=\"https:\/\/theconversation.com\/doctor-quiero-ser-como-mi-selfi-148198\">\u00a1Doctor, quiero ser como mi selfi!<\/a>\u00a0Rebeca Pardo y Jose Maria Serra-Renom,\u00a0<em>The Conversation<\/em>, 10\/11\/2020.<\/li>\n<li><a href=\"https:\/\/www.youtube.com\/watch?v=tJ-lD4ntY2w\">La Psoriasi: una aproximaci\u00f3 a la seva representaci\u00f3 audiovisual<\/a>, Rebeca Pardo, con Ana Escurriola (Directora del corto \u00abCuatro Treinta\u00bb) y Santiago Alfonso (Acci\u00f3 Psoriasis), Canal de YouTube de UIC Barcelona 29\/10\/2020.<\/li>\n<li>\u00ab<a href=\"https:\/\/www.larioja.com\/la-rioja\/coronavirus\/deben-publicarse-imagenes-20201127000759-ntvo.html?vca=dgtk-rrss-lrj&amp;vso=fb&amp;vmc=social&amp;_tcode=Y2R2M2Mx\" target=\"_blank\" rel=\"noreferrer noopener\">Deben publicarse im\u00e1genes del dolor porque tambi\u00e9n es parte de la vid<\/a>a\u00bb, Entrevista de Teri S\u00e1enz a Rebeca Pardo en La Rioja, 27\/11\/2020.<\/li>\n<li><a href=\"https:\/\/www.uic.es\/es\/noticias\/dos-investigadoras-de-uic-barcelona-reciben-dos-de-las-ocho-becas-sobre-bioetica-de-la\">Dos investigadoras de UIC Barcelona reciben dos de las ocho becas sobre bio\u00e9tica de la Fundaci\u00f3n V\u00edctor Gr\u00edfols y Lucas,\u00a0<\/a>Actualidad, UIC Barcelona, 23\/10\/2020<\/li>\n<li><a href=\"https:\/\/www.fundaciogrifols.org\/es\/web\/fundacio\/-\/ja-tenim-guanyadors-2020-\">\u00a1Ya tenemos ganadores!<\/a>\u00a0Fundaci\u00f3 Grifols, 05\/10\/2020<\/li>\n<li><a href=\"https:\/\/www.publico.pt\/2020\/08\/15\/p3\/cronica\/museu-nao-imaginado-pandemia-1926985?fbclid=IwAR1o_G-ziKWTMtxvhxUlrbx14xTO7mM8XEo08JvZt1G2ftPNYCWAmKX_XCs\">O museu (n\u00e3o) imaginado da pandemia<\/a>, Ana Gago, Megafone, Publico Portugal, 15\/08\/2020.<\/li>\n<li><a href=\"https:\/\/www.youtube.com\/watch?v=mXERqyTQb50&amp;feature=youtu.be\">UIC TALKS: Cultura tras la COVID-19<\/a>, Cristina Calvet y Rebeca Pardo, Canal YouTube de UIC Barcelona, 23\/07\/2020.<\/li>\n<li><a href=\"https:\/\/www.ondacero.es\/emisoras\/catalunya\/audios-podcast\/ciutat\/la-ciutat-19062020_202006195eecb9c59db8b50001c61439.html\">Entrevista sobre FaceApp a Rebeca Pardo con Carles Lamelo y M\u00f2nica G\u00fcnther en La Ciutat<\/a>, Onda Cero Cat., 19\/06\/2020.<\/li>\n<li><a href=\"http:\/\/youtu.be\/mUSvKvJ8TS0\">Entrevista a Rebeca Pardo para la<\/a>\u00a0<a href=\"http:\/\/youtu.be\/mUSvKvJ8TS0\">Societat Catalana Hist\u00f2ria de la Ci\u00e8ncia i T\u00e8cnica<\/a>, por J\u00f9lia Mass\u00f3, 21\/05\/2020.<\/li>\n<li><a href=\"https:\/\/www.elcorreogallego.es\/tendencias\/el-problema-es-que-seguimos-considerando-que-la-fotografia-es-la-verdad-la-realidad-y-no-lo-es-CH2797499\">Entrevista a Rebeca Pardo en El Correo Gallego<\/a>, por Mar\u00eda Almod\u00f3var, 04\/05\/2020<\/li>\n<li><a href=\"https:\/\/elpais.com\/elpais\/2020\/04\/10\/sesenta_y_tantos\/1586503388_502698.html\">Una videollamada para decir \u201cte quiero\u201d a nuestros mayores<\/a>, Cristina Bisbal Delgado, El Pais, 18\/04\/2020.<\/li>\n<li><a href=\"https:\/\/www.abc.es\/espana\/catalunya\/abci-joan-carles-valero-duelo-estado-202004141103_noticia.html?fbclid=IwAR1dq9O_4hVhCiKxqnsVTNDMKzl2kLEuQ1w2w905DmSbhLhxpITslyfdpwI#vca=rrss-inducido&amp;vmc=abc-es&amp;vso=tw&amp;vli=noticia-opinion\">Duelo de Estado<\/a>, Juan Carlos Valero, ABC, 14\/04\/2020.<\/li>\n<li><a href=\"https:\/\/www.ivoox.com\/mas-uno-rioja-baja-14-abril-2020-audios-mp3_rf_49997509_1.html\">Entrevista por Javier Losantos en Onda Cero Rioja Baja<\/a>, 14\/04\/2020 (La entrevista comienza a la hora y nueve minutos). Audio Player<\/li>\n<li><a href=\"https:\/\/www.rinconesperaencasa.org\/2020\/04\/investigacion-de-rebeca-pardo-acerca-de.html\">Investigaci\u00f3n de Rebeca Pardo acerca de la importancia de las im\u00e1genes como herramienta para paliar la soledad<\/a>, Rinc\u00f3n espera en casa, 10\/04\/2020<\/li>\n<li><a href=\"https:\/\/www.cmmedia.es\/programas\/tv\/castilla-la-mancha-despierta\/programas-completos\/0_3ayfn5jz\/?fbclid=IwAR3G7qWaKjB8UwBPzv_mQZ-oXbXzhqFEEhJ1CesWCz9jlnON8uHzUSfTg5s\">Castilla-La Mancha Despierta<\/a>: Entrevista a Rebeca Pardo en Castilla-La Mancha TV, a partir del minuto 32 del programa. 03\/04\/2020.<\/li>\n<li><a href=\"https:\/\/www.elconfidencial.com\/alma-corazon-vida\/2020-03-31\/imagen-ayuda-soledad-coronavirus_2527007\/\">El poder de la videollamada: c\u00f3mo la imagen mitiga la soledad durante el confinamiento<\/a>, ACV, El Confidencial,\u00a031\/03\/2020.<\/li>\n<li><a href=\"https:\/\/www.consalud.es\/pacientes\/la-imagen-herramienta-importante-paliar-soledad_76713_102.html\">CAPACIDAD TERAP\u00c9UTICA DE LAS IM\u00c1GENES<\/a>, ConSalud.es,\u00a030\/03\/2020.<\/li>\n<li><a href=\"https:\/\/www.elperiodico.com\/es\/sociedad\/20200330\/rebeca-pardo-imagen-herramienta-potente-paliar-soledad-7910117\">\u201cLa imagen es una herramienta muy potente para paliar la soledad\u201d<\/a>, El Peri\u00f3dico,\u00a030\/03\/2020.<\/li>\n<li><a href=\"https:\/\/ecrea.eu\/page-18206\/8857563\">THE UNVEILED IMAGE. Photographic practices in illness, death and grief<\/a>, ECREA (European Communication Research and Education Association) website,WEEKLY DIGEST n\u00fameros #65, #66, #67, #68, #69, #70, #71.<\/li>\n<li><a href=\"https:\/\/www.ivoox.com\/mas-uno-rioja-baja-14-abril-2020-audios-mp3_rf_49997509_1.html\">F\u00f3rum UIC Barcelona 2020 reflexiona sobre el liderazgo y la pr\u00f3xima generaci\u00f3n de l\u00edderes<\/a>, La Vanguardia,\u00a002\/03\/2020.<\/li>\n<li><a href=\"https:\/\/www.emagister.com\/blog\/foro-uic-barcelona-2020-el-liderazgo-en-la-actualidad\/\">Foro UIC Barcelona 2020, el liderazgo en la actualidad<\/a>, Blog EMagister, 02\/03\/2020.<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #4dc8c5; font-size: 26px; font-weight: bold; text-transform: uppercase;\">2019<\/span><\/p>\n<div class=\"et_pb_module et_pb_text et_pb_text_12  et_pb_text_align_left et_pb_bg_layout_light\">\n<div class=\"et_pb_text_inner\">\n<ul>\n<li>\n<div class=\"et_pb_module et_pb_text et_pb_text_7  et_pb_text_align_left et_pb_bg_layout_light\">\n<div class=\"et_pb_text_inner\"><\/div>\n<\/div>\n<p><a href=\"https:\/\/eventos.um.es\/33915\/programme\/ii-congreso-internacional-arte-y-politicas-de-identidad.-visualidades-y-narrativas-de-la-memoria_-e.html\">II CONGRESO INTERNACIONAL ARTE Y POL\u00cdTICAS DE IDENTIDAD. Visualidades y narrativas de la memoria: espacio urbano, naturaleza, migraciones, tecnolog\u00eda y g\u00e9nero (CIAPI 2019)<\/a>, Eventos, Universidad de Murcia, 27-29\/11\/2019<a href=\"https:\/\/comunicacio21.cat\/noticies\/rebeca-pardo-sergi-sola-i-joana-gallego-nous-consellers-del-cic\/\">Rebeca Pardo, Sergi Sol\u00e0 i Joana Gallego, nous consellers del CIC<\/a> @ COMUNICACIO21.CAT \u2013 14\/3\/20<\/p>\n<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; prev_background_color=&#8221;#ededed&#8221; _builder_version=&#8221;4.18.0&#8243; _module_preset=&#8221;default&#8221; background_color=&#8221;#a3a3a3&#8243; custom_padding=&#8221;0px||0px||false|false&#8221; top_divider_style=&#8221;slant&#8221; top_divider_height=&#8221;39px&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row _builder_version=&#8221;4.18.0&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;20px||0px||false|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.18.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_cta title=&#8221;Contacto:&#8221; admin_label=&#8221;Llamada a la acci\u00f3n&#8221; _builder_version=&#8221;4.18.0&#8243; body_line_height=&#8221;1.5em&#8221; body_link_text_color=&#8221;#000000&#8243; background_enable_color=&#8221;off&#8221; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; text_orientation=&#8221;left&#8221; custom_padding=&#8221;||20px|0px|false|false&#8221; use_border_color=&#8221;off&#8221; border_color=&#8221;#ffffff&#8221; border_style=&#8221;solid&#8221; button_letter_spacing_hover=&#8221;0&#8243; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221; button_text_size__hover_enabled=&#8221;off&#8221; button_one_text_size__hover_enabled=&#8221;off&#8221; button_two_text_size__hover_enabled=&#8221;off&#8221; button_text_color__hover_enabled=&#8221;off&#8221; button_one_text_color__hover_enabled=&#8221;off&#8221; button_two_text_color__hover_enabled=&#8221;off&#8221; button_border_width__hover_enabled=&#8221;off&#8221; button_one_border_width__hover_enabled=&#8221;off&#8221; button_two_border_width__hover_enabled=&#8221;off&#8221; button_border_color__hover_enabled=&#8221;off&#8221; button_one_border_color__hover_enabled=&#8221;off&#8221; button_two_border_color__hover_enabled=&#8221;off&#8221; button_border_radius__hover_enabled=&#8221;off&#8221; button_one_border_radius__hover_enabled=&#8221;off&#8221; button_two_border_radius__hover_enabled=&#8221;off&#8221; button_letter_spacing__hover_enabled=&#8221;on&#8221; button_letter_spacing__hover=&#8221;0&#8243; button_one_letter_spacing__hover_enabled=&#8221;off&#8221; button_two_letter_spacing__hover_enabled=&#8221;off&#8221; button_bg_color__hover_enabled=&#8221;off&#8221; button_one_bg_color__hover_enabled=&#8221;off&#8221; button_two_bg_color__hover_enabled=&#8221;off&#8221;]<\/p>\n<p><strong><a href=\"http:\/\/rebecapardo.com\/\">Rebeca Pardo<\/a><\/strong><br \/>Universitat Internacional de Catalunya<\/p>\n<p><a href=\"http:\/\/www.montsemorcate.com\/\"><strong>Montse Morcate<\/strong><\/a><br \/>Universitat de Barcelona<\/p>\n<p>[\/et_pb_cta][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Publicaciones Pendiente de incorporar m\u00e1s publicaciones del grupoLibrosEXPOSICIONESCONFERENCIAS INVITADAS Y PAPERS EN CONGRESOSen los mediosLibrosMart\u00ednez Lucena, J.; Cambra Badii, I.\u00a0(Eds) (2020). Imaginarios de los trastornos mentales en las series. Barcelona: UOC. ISBN: 9788491806868 Morcate, Montse y Pardo, Rebeca\u00a0(Eds) (2019)\u00a0La imagen desvelada: pr\u00e1cticas fotogr\u00e1ficas en la enfermedad, la muerte y el duelo. Vitoria-Gasteiz: Sans Soleil Ediciones. [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":453,"parent":0,"menu_order":8,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"<!-- wp:paragraph -->\r\n<p>(Pendiente de incorporar m\u00e1s publicaciones del grupo)<\/p>\r\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\r\n<p>\u00a0<\/p>\r\n<!-- \/wp:paragraph --><!-- wp:gallery {\"ids\":[253,227],\"align\":\"center\"} -->\r\n<figure class=\"wp-block-gallery aligncenter columns-2 is-cropped\">\r\n<ul class=\"blocks-gallery-grid\">\r\n<li class=\"blocks-gallery-item\">\r\n<figure><img class=\"wp-image-253\" src=\"https:\/\/deathandillness.com\/wp-content\/uploads\/2020\/12\/LIBRO_SERIES_TRAS_MENTALES.jpg\" alt=\"\" data-id=\"253\" data-full-url=\"https:\/\/deathandillness.com\/wp-content\/uploads\/2020\/12\/LIBRO_SERIES_TRAS_MENTALES.jpg\" data-link=\"http:\/\/deathandillness.com\/index.php\/publicaciones\/libro_series_tras_mentales\/\" \/><\/figure>\r\n<\/li>\r\n<li class=\"blocks-gallery-item\">\r\n<figure><img class=\"wp-image-227\" src=\"https:\/\/deathandillness.com\/wp-content\/uploads\/2020\/06\/Captura-de-pantalla-2020-06-21-a-las-2.42.35.png\" alt=\"\" data-id=\"227\" data-full-url=\"https:\/\/deathandillness.com\/wp-content\/uploads\/2020\/06\/Captura-de-pantalla-2020-06-21-a-las-2.42.35.png\" data-link=\"http:\/\/deathandillness.com\/index.php\/publicaciones\/captura-de-pantalla-2020-06-21-a-las-2-42-35\/\" \/><\/figure>\r\n<\/li>\r\n<\/ul>\r\n<\/figure>\r\n<!-- \/wp:gallery --><!-- wp:group {\"backgroundColor\":\"cyan-bluish-gray\"} -->\r\n<div class=\"wp-block-group has-cyan-bluish-gray-background-color has-background\">\r\n<div class=\"wp-block-group__inner-container\"><!-- wp:heading {\"textColor\":\"very-dark-gray\"} -->\r\n<h2 class=\"has-very-dark-gray-color has-text-color\"><strong>LIBROS<\/strong><\/h2>\r\n<!-- \/wp:heading --><!-- wp:paragraph -->\r\n<p><br \/><strong>Mart\u00ednez Lucena, J.; Cambra Badii, I. <\/strong>(Eds) (2020). Imaginarios de los trastornos mentales en las series. Barcelona: UOC. ISBN: 9788491806868<\/p>\r\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\r\n<p><strong>Morcate, Montse y Pardo, Rebeca <\/strong>(Eds) (2019) <a href=\"https:\/\/www.sanssoleil.es\/tienda\/la-imagen-desvelada-practicas-fotograficas-en-la-enfermedad-la-muerte-y-el-duelo-montse-morcate-y-rebeca-pardo-ed\/\">La imagen desvelada: pr\u00e1cticas fotogr\u00e1ficas en la enfermedad, la muerte y el duelo<\/a>. Vitoria-Gasteiz: Sans Soleil Ediciones.<\/p>\r\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\r\n<p><strong>Morcate, Montse <\/strong>(2019) <em>LUCTUS: respuestas a la enfermedad, la muerte y el duelo<\/em>. Publicaci\u00f3n con motivo de la Exposici\u00f3n LUCTUS.\u00a0Centre fotogr\u00e0fic Can Bast\u00e9. ISBN: 978-84-09-15182-0<\/p>\r\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\r\n<p>\u00a0<\/p>\r\n<!-- \/wp:paragraph --><\/div>\r\n<\/div>\r\n<!-- \/wp:group --><!-- wp:group {\"backgroundColor\":\"cyan-bluish-gray\"} -->\r\n<div class=\"wp-block-group has-cyan-bluish-gray-background-color has-background\">\r\n<div class=\"wp-block-group__inner-container\"><!-- wp:heading {\"textColor\":\"very-dark-gray\"} -->\r\n<h2 class=\"has-very-dark-gray-color has-text-color\">ART\u00cdCULOS Y CAP\u00cdTULOS DE LIBRO<\/h2>\r\n<!-- \/wp:heading --><!-- wp:heading -->\r\n<h2>2020<\/h2>\r\n<!-- \/wp:heading --><!-- wp:paragraph -->\r\n<p><strong>Cambra-Badii, I., Guardiola, E., Ba\u00f1os, J.<\/strong> (2020). From Marcus Welby, M.D. to The resident: the changing portrayal of physicians in TV medical dramas. <em>Revista Medicina y Cine<\/em>, 16(2), 87-102.<a href=\"https:\/\/revistas.usal.es\/index.php\/medicina_y_cine\/article\/view\/rmc202016287102\/21992\"> https:\/\/revistas.usal.es\/index.php\/medicina_y_cine\/article\/view\/rmc202016287102\/21992<\/a>. DOI 10.14201\/rmc202016287102\u00a0<\/p>\r\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\r\n<p><strong>Cambra Badii, I.; Pinar, A.; Ba\u00f1os, J. <\/strong>(2020) The Good Doctor and bioethical principles: a content analysis. <em>Educaci\u00f3n m\u00e9dica<\/em>. Epub 27 de Febrero de 2020.<a href=\"https:\/\/www.elsevier.es\/es-revista-educacion-medica-71-avance-resumen-the-good-doctor-bioethical-principles-S1575181320300085\"> https:\/\/www.elsevier.es\/es-revista-educacion-medica-71-avance-resumen-the-good-doctor-bioethical-principles-S1575181320300085<\/a><\/p>\r\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\r\n<p><strong>Cambra Badii, I.; Paragis, M. P.; Mastandrea, P.; Mart\u00ednez, D.<\/strong> (2019). Perspectiva bio\u00e9tica sobre el aborto en Argentina a trav\u00e9s del aporte del cine. <em>Acta bioethica<\/em>. 2019 25 (2): 253-264.<a href=\"https:\/\/actabioethica.uchile.cl\/index.php\/AB\/article\/view\/54815\/57884\"> https:\/\/actabioethica.uchile.cl\/index.php\/AB\/article\/view\/54815\/57884<\/a>\u00a0\u00a0\u00a0\u00a0\u00a0<\/p>\r\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\r\n<p><strong>Cambra Badii, I.; Mart\u00ednez Lucena, J. <\/strong>(2020a). El canto de los locos manifiesta nuestra jaula. En: Cambra Badii, I.; Mart\u00ednez Lucena, J. <em>Imaginarios sobre las locuras en las series televisivas<\/em>. Barcelona: UOC. pp. 21-32. ISBN: 9788491806868<\/p>\r\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\r\n<p><strong>Cambra Badii, I.; Mart\u00ednez Lucena, J.<\/strong> (2020b). La espectacularidad de la locura: el trastorno bipolar, la esquizofrenia y el trastorno disociativo en las series. En: Cambra Badii, I.; Mart\u00ednez Lucena, J. <em>Imaginarios sobre las locuras en las series televisivas<\/em>. Barcelona: UOC. pp. 33-47. ISBN: 9788491806868<\/p>\r\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\r\n<p><strong>Cambra Badii, I.; Mart\u00ednez Lucena, J.<\/strong> (2020c).Ep\u00edlogo: las locuras y nuestro sue\u00f1o americano. En: Cambra Badii, I.; Mart\u00ednez Lucena, J. <em>Imaginarios sobre las locuras en las series televisivas<\/em>. Barcelona: UOC. pp. 207-218. ISBN: 9788491806868<\/p>\r\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\r\n<p><strong>L\u00f3pez de Munain, Gorka <\/strong>(2020a), \" The faces of disgust. Death masks of famous and infamous\", en European Journal of Anatomy.<\/p>\r\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\r\n<p><strong>Manton, Chanelle & Prieto-Blanco, Patricia<\/strong> (29\/05\/2920) \u201cSeeing Domiciliary Care Work. Affects, ethics, materialities\u201d. En The Sociological Review, <a href=\"https:\/\/www.thesociologicalreview.com\/seeing-domiciliary-care-work-affects-ethics-materialities\/\">https:\/\/www.thesociologicalreview.com\/seeing-domiciliary-care-work-affects-ethics-materialities\/ <\/a>\u00a0<\/p>\r\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\r\n<p><strong>Pardo, Rebeca<\/strong> (2020b) <a href=\"https:\/\/theconversation.com\/que-nos-define-como-seres-humanos-sobre-bromas-crueles-y-ciberacoso-144515?utm_source=facebook&utm_medium=bylinefacebookbutton&fbclid=IwAR16HmdQ9fksXlus6iQsvniQ3TlHPMwXeKuav5IsSxNvLFgYmXHyxMsUPNw\" target=\"_blank\" rel=\"noreferrer noopener\">\u00bfQu\u00e9 nos define como seres humanos? Sobre bromas crueles y ciberacoso<\/a>, <em>The Conversation<\/em>, 21\/08\/2020.<\/p>\r\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\r\n<p><strong>Pardo, Rebeca<\/strong> (2020c) <a href=\"https:\/\/theconversation.com\/que-imagenes-formaran-parte-de-la-memoria-de-la-covid-19-141673\">\u00bfQu\u00e9 im\u00e1genes formar\u00e1n parte de la memoria de la\u00a0COVID-19?<\/a>, <em>The Conversation<\/em>, 16\/07\/2020.<\/p>\r\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\r\n<p><strong>Pardo, Rebeca<\/strong> (2020d) <a href=\"https:\/\/theconversation.com\/las-imagenes-de-la-cuarentena-es-correcto-invisibilizar-el-drama-137210\">Las im\u00e1genes de la cuarentena: \u00bfes correcto invisibilizar el\u00a0drama?<\/a>, <em>The Conversation<\/em>, 24\/04\/2020.<\/p>\r\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\r\n<p><strong>Pardo, Rebeca y Pi\u00f1ol, Marta <\/strong>(2020) Demencia, violencia y series: una relaci\u00f3n peligrosa. En: Cambra Badii, I.; Mart\u00ednez Lucena, J. <em>Imaginarios sobre las locuras en las series televisivas<\/em>. Barcelona: UOC. pp. 207-218. ISBN: 9788491806868.<\/p>\r\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\r\n<p><strong>Pardo, Rebeca<\/strong> <strong>y Serra-Renom, Jos\u00e9 Mar\u00eda (<\/strong>2020a) <a href=\"https:\/\/theconversation.com\/doctor-quiero-ser-como-mi-selfi-148198\" target=\"_blank\" rel=\"noreferrer noopener\">\u00a1Doctor, quiero ser como mi selfi!<\/a>, <em>The Conversation<\/em>, 10\/11\/2020.<\/p>\r\n<!-- \/wp:paragraph --><!-- wp:heading -->\r\n<h2><strong>2019<\/strong><\/h2>\r\n<!-- \/wp:heading --><!-- wp:paragraph -->\r\n<p><strong>Morcate, Montse<\/strong> (2019a) \u201cElaboraci\u00f3n y resignificaci\u00f3n del \u00e1lbum familiar a trav\u00e9s del proyecto de creaci\u00f3n en el duelo\u201d.\u00a0<em>Arte y Pol\u00edticas de Identidad<\/em>. 21, pp. 11 - 28. Universidad de Murcia. ISSN 1889-979X\u00a0\u00a0<\/p>\r\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\r\n<p><strong>Morcate, Montse<\/strong> (2019b) \u201cEl \u00e1lbum de los dolientes: un recorrido por las representaciones fotogr\u00e1ficas de muerte y duelo en el \u00e1mbito dom\u00e9stico\u201d. En Morcate, Montse y Pardo, Rebeca (Eds) <a href=\"https:\/\/www.sanssoleil.es\/tienda\/la-imagen-desvelada-practicas-fotograficas-en-la-enfermedad-la-muerte-y-el-duelo-montse-morcate-y-rebeca-pardo-ed\/\">La imagen desvelada: pr\u00e1cticas fotogr\u00e1ficas en la enfermedad, la muerte y el duelo<\/a>. Vitoria-Gasteiz: Sans Soleil Ediciones.\u00a0<\/p>\r\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\r\n<p><strong>Morcate, Montse y Pardo, Rebeca<\/strong> (2019), Introducci\u00f3n. En Morcate, Montse y Pardo, Rebeca (Eds) <a href=\"https:\/\/www.sanssoleil.es\/tienda\/la-imagen-desvelada-practicas-fotograficas-en-la-enfermedad-la-muerte-y-el-duelo-montse-morcate-y-rebeca-pardo-ed\/\">La imagen desvelada: pr\u00e1cticas fotogr\u00e1ficas en la enfermedad, la muerte y el duelo<\/a>. Vitoria-Gasteiz: Sans Soleil Ediciones.\u00a0<\/p>\r\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\r\n<p><strong>Pardo, Rebeca <\/strong>(2019) Fotograf\u00eda y enfermedad: iconograf\u00edas en transformaci\u00f3n. En Morcate, Montse y Pardo, Rebeca (Eds) <a href=\"https:\/\/www.sanssoleil.es\/tienda\/la-imagen-desvelada-practicas-fotograficas-en-la-enfermedad-la-muerte-y-el-duelo-montse-morcate-y-rebeca-pardo-ed\/\">La imagen desvelada: pr\u00e1cticas fotogr\u00e1ficas en la enfermedad, la muerte y el duelo<\/a>. Vitoria-Gasteiz: Sans Soleil Ediciones.<\/p>\r\n<!-- \/wp:paragraph --><\/div>\r\n<\/div>\r\n<!-- \/wp:group --><!-- wp:paragraph -->\r\n<p>\u00a0<\/p>\r\n<!-- \/wp:paragraph --><!-- wp:group {\"backgroundColor\":\"very-light-gray\"} -->\r\n<div class=\"wp-block-group has-very-light-gray-background-color has-background\">\r\n<div class=\"wp-block-group__inner-container\"><!-- wp:heading -->\r\n<h2>PUBLICACIONES DE PROYECTOS ANTERIORES<\/h2>\r\n<!-- \/wp:heading --><!-- wp:heading -->\r\n<h2><strong>2018<\/strong><\/h2>\r\n<!-- \/wp:heading --><!-- wp:paragraph -->\r\n<p>Morcate, Montse (2018) \u201cExhibiting pain, death and grief: from the art gallery to the image shared online.\u201d En Gonzalez-Polledo, Elena y Tarr, Jen (Eds.) Painscapes: Framing Pain Communication. R.U.: Palgrave Macmillan.<\/p>\r\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\r\n<p>Pardo, Rebeca (2018) \u201cPhotography and mental illness: feeding or combating the stigma of invisible pain online and offline\u201d En Gonzalez-Polledo, Elena y Tarr, Jen (Eds.) Painscapes: Framing Pain Communication. R.U.: Palgrave Macmillan.<\/p>\r\n<!-- \/wp:paragraph --><!-- wp:heading -->\r\n<h2>2017<\/h2>\r\n<!-- \/wp:heading --><!-- wp:paragraph -->\r\n<p>Morcate, Montse (2017) \"Tipolog\u00edas y re-mediaci\u00f3n de las im\u00e1genes de muerte y duelo compartidas en la memorializaci\u00f3n online.\" En Revista M. Estudos sobre a Morte, os Mortos e o Morrer, v. 2, n. 3: 30-44.<\/p>\r\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\r\n<p>Pardo, Rebeca (2017) \u201cEnfermedad Mental, Fotoperiodismo e Internet: hacia una visi\u00f3n m\u00e1s humana y normalizadora\u201d. En adComunica. Revista Cient\u00edfica de Estrategias, Tendencias e Innovaci\u00f3n en Comunicaci\u00f3n, n\u00ba13. Castell\u00f3n: Asociaci\u00f3n para el Desarrollo de la Comunicaci\u00f3n adComunica y Universitat Jaume I, P. 83-109. DOI: http:\/\/dx.doi.org\/10.6035\/2174-0992.2017.13.6<\/p>\r\n<!-- \/wp:paragraph --><!-- wp:heading -->\r\n<h2>2016<\/h2>\r\n<!-- \/wp:heading --><!-- wp:paragraph -->\r\n<p>Morcate, Montse y Pardo, Rebeca (2016) \u201cGrief, illness and death in contemporary photography\u201d. En Thomas, Helen (Ed.) Malady and Mortality: Illness, Disease and Death in Literary and Visual Culture. Pp. 245-254. R.U.: Cambridge Scholars.<\/p>\r\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\r\n<p>Pardo, Rebeca y Morcate, Montse (2016). \u201cIllness, death and grief: the daily experience of viewing and sharing digital Images\u201d. En: G\u00f3mez Cruz, Edgar y Lehmuskallio, Asko (eds.). Digital Photography and Everyday Life. Routledge, 70-85.<\/p>\r\n<!-- \/wp:paragraph --><\/div>\r\n<\/div>\r\n<!-- \/wp:group --><!-- wp:paragraph -->\r\n<p>\u00a0<\/p>\r\n<!-- \/wp:paragraph -->","_et_gb_content_width":"","footnotes":""},"class_list":["post-494","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/deathandillness.com\/en\/wp-json\/wp\/v2\/pages\/494","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deathandillness.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/deathandillness.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/deathandillness.com\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/deathandillness.com\/en\/wp-json\/wp\/v2\/comments?post=494"}],"version-history":[{"count":9,"href":"https:\/\/deathandillness.com\/en\/wp-json\/wp\/v2\/pages\/494\/revisions"}],"predecessor-version":[{"id":729,"href":"https:\/\/deathandillness.com\/en\/wp-json\/wp\/v2\/pages\/494\/revisions\/729"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/deathandillness.com\/en\/wp-json\/wp\/v2\/media\/453"}],"wp:attachment":[{"href":"https:\/\/deathandillness.com\/en\/wp-json\/wp\/v2\/media?parent=494"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}