[et_pb_section fb_built=”1″ custom_padding_last_edited=”off|desktop” next_background_color=”#dddddd” admin_label=”section” _builder_version=”4.18.0″ background_color=”#4DC8C5″ background_enable_image=”off” min_height=”81px” custom_padding=”||50px||false|false” custom_padding_tablet=”50px|0|50px|0″ bottom_divider_style=”slant” bottom_divider_height=”40px” transparent_background=”on” make_fullwidth=”off” use_custom_width=”off” width_unit=”on” global_colors_info=”{}”][et_pb_row _builder_version=”4.18.0″ _module_preset=”default” custom_padding=”||0px|||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.18.0″ _module_preset=”default” text_font=”|800||on|||||” text_text_color=”#FFFFFF” text_font_size=”18px” text_line_height=”1.9em” header_font=”|700||on|||||” header_font_size=”35px” header_line_height=”1.3em” custom_margin=”||3px|||” header_font_size_tablet=”35px” header_font_size_phone=”20px” header_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n
Por proyecto<\/p>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.18.0″ _module_preset=”default” background_color=”#dddddd” custom_padding=”0px||0px||true|false” collapsed=”off” global_colors_info=”{}”][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ _builder_version=”4.18.0″ _module_preset=”default” custom_padding=”10px||||false|false” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.18.0″ _module_preset=”default” text_font=”|700||on|||||” text_text_color=”#000000″ text_orientation=”center” custom_margin=”||0px||false|false” custom_padding=”10px||10px||true|false” link_option_url=”#visibilizando-el-dolor” border_width_top=”1px” border_color_top=”#4DC8C5″ border_width_bottom=”1px” border_color_bottom=”#4DC8C5″ global_colors_info=”{}” background__hover_enabled=”on|hover” background_color__hover=”#4DC8C5″ background_enable_color__hover=”on” text_text_color__hover_enabled=”on|hover” text_text_color__hover=”#FFFFFF”]<\/p>\n
Visibilizando el dolor<\/p>\n
[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.18.0″ _module_preset=”default” text_font=”|700||on|||||” text_text_color=”#000000″ text_orientation=”center” custom_margin=”||0px||false|false” custom_padding=”10px||10px||true|false” link_option_url=”#bioetica-imagenes-y-Covid-19″ border_width_top=”1px” border_color_top=”#4DC8C5″ border_width_bottom=”1px” border_color_bottom=”#4DC8C5″ global_colors_info=”{}” background__hover_enabled=”on|hover” background_color__hover=”#4DC8C5″ background_enable_color__hover=”on” text_text_color__hover_enabled=”on|hover” text_text_color__hover=”#FFFFFF”]<\/p>\n
Bio\u00e9tica, im\u00e1genes y Covid-19<\/p>\n
[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.18.0″ _module_preset=”default” text_font=”|700||on|||||” text_text_color=”#000000″ text_orientation=”center” custom_margin=”0px||0px||false|false” custom_padding=”10px||10px||true|false” link_option_url=”#compartiendo-el-dolor” border_width_top=”1px” border_color_top=”#4DC8C5″ border_width_bottom=”1px” border_color_bottom=”#4DC8C5″ global_colors_info=”{}” background__hover_enabled=”on|hover” background_color__hover=”#4DC8C5″ background_enable_color__hover=”on” text_text_color__hover_enabled=”on|hover” text_text_color__hover=”#FFFFFF”]<\/p>\n
Compartiendo el dolor y el duelo online<\/p>\n
[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.18.0″ _module_preset=”default” text_font=”|700||on|||||” text_text_color=”#000000″ text_orientation=”center” custom_margin=”0px||0px||false|false” custom_padding=”10px||10px||true|false” link_option_url=”#artes-visuales” border_width_top=”1px” border_color_top=”#4DC8C5″ border_width_bottom=”1px” border_color_bottom=”#4DC8C5″ global_colors_info=”{}” background__hover_enabled=”on|hover” background_color__hover=”#4DC8C5″ background_enable_color__hover=”on” text_text_color__hover_enabled=”on|hover” text_text_color__hover=”#FFFFFF”]<\/p>\n
Artes visuales
con Alzheimer<\/p>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Section” module_id=”visibilizando-el-dolor” _builder_version=”4.18.0″ custom_padding=”10px||10px|||” global_colors_info=”{}”][et_pb_row admin_label=”Row” _builder_version=”4.18.0″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text admin_label=”metas” _builder_version=”4.18.0″ _module_preset=”default” text_font=”|600|||||||” text_text_color=”#000000″ text_font_size=”18px” header_2_font=”|700||on|||||” header_2_text_color=”#4DC8C5″ global_colors_info=”{}”]<\/p>\n
(2019-2021, RTI2018-098181-A-I00)<\/strong><\/p>\n Research project funded by the 2018 call for R&D&i projects in the category \u201cResearch Challenges\u201d under the Spanish national R&D&i programme aimed at solving societal challenges<\/p>\n [\/et_pb_text][et_pb_text admin_label=”metas” _builder_version=”4.18.0″ _module_preset=”default” module_alignment=”center” custom_margin=”40px||40px||false|false” custom_padding=”40px||40px||false|false” border_width_top=”1px” border_width_bottom=”1px” border_color_bottom=”#000000″ global_colors_info=”{}”]<\/p>\n Dr. Rebeca Pardo <\/a><\/strong>(PI \u2013 Principal Investigator): PhD in Fine Arts and a master\u2019s degree in Anthropology and Ethnography (University of Barcelona), and a BA in Audiovisual Communication (University of Navarra). Pardo\u2019s lines of research focus on the visual representation of illness, death and grief, particularly the ethical aspects and autobiography.<\/p>\n Pardo served as dean of the Faculty of Communication Sciences at UIC Barcelona. She has completed research stays at the Spanish National Research Council (CSIC) in Madrid, the MACBA Study Centre in Barcelona, Harvard University (US) and the University of Brighton (UK). She is the coordinator of the Research Group AINA (2021 SGR 01243) and was the principal investigator in the research project \u201cVisibilising pain: visual narratives of illness and transmedia storytelling (2019-2022)\u201d (MINECO \/ FEDER, ref: RTI2018-098181-A-I00) and has been joint PI of the project \u201cEthics of images of illness, death and grief in the time of Covid-19\u201d (V\u00edctor Gr\u00edfols i Lucas Foundation grant in bioethics research). Previously, she has been PI on a number of other competitive projects. Her publications include a host of papers and book chapters and she has jointly edited a book with Montse Morcate entitled The Unveiled Image: Photographic practices in illness, death and grief. She has given many lectures and taken part in an array of national and international conferences. She has also carried out creative projects related to her lines of research, and her art works have been exhibited in Italy, Spain and the United Kingdom.<\/strong><\/p>\n Dr. <\/strong>Montse Morcate<\/strong><\/a>: Artist, researcher and lecturer in the Faculty of Fine Arts at the University of Barcelona. Morcate\u2019s research focuses on the visual representation of death, illness and grief, and she takes a multidisciplinary approach that encompasses contemporary art, visual anthropology, the medical humanities, the digital humanities, photojournalism and historical memory. She has participated in a host of national and international conferences and seminars, and she has published many papers and book chapters on the subject (Routledge, Palgrave MacMillan, Mortality and EPI, to name but a few). Together with Rebeca Pardo, Morcate has jointly edited a book entitled The Unveiled Image: Photographic practices in illness, death and grief (Sans Soleil, 2019). Currently, she is a researcher on the project \u201cVisibilising pain: visual narratives of illness and transmedia storytelling (2019-2022)\u201d (Spanish Ministry of Science, Innovation and Universities) and she is joint PI on the project \u201cEthics of images of illness, death and grief in the time of Covid-19\u201d (Gr\u00edfols Foundation, 2020). In recent years, Morcate has pursued a number of post-doctoral research stays, including at the Department of Anthropology at Columbia University (New York), the Morbid Anatomy Museum (New York), the History of Science Department (CSIC) and the MACBA Study Centre (Barcelona). At the same time, Morcate has been developing and exhibiting her own art works, pursuing projects that reflect her field of research.<\/p>\n Dr. Susana de Noronha<\/a><\/strong>: Anthropologist, PhD in Sociology and researcher in the Centre for Social Studies (CES) at the University of Coimbra, Portugal. Visiting associate lecturer in the Department of Sociology, University of Minho, Portugal. She is the sole author of three trailblazing research monographs on the representation of experiences of cancer in the visual and plastic arts.<\/p>\n Dr. Gorka L\u00f3pez de Mun\u00e1in<\/a><\/strong>: Art History & Visual Anthropology<\/p>\n [\/et_pb_text][et_pb_text admin_label=”metas” _builder_version=”4.18.0″ _module_preset=”default” custom_margin=”||40px||false|false” custom_padding=”||40px||false|false” border_width_bottom=”1px” global_colors_info=”{}”]<\/p>\n Dr. Irene Cambra Badii<\/a>:<\/strong> PhD and BA in Psychology. For over ten years, Cambra was a researcher and instructor at the University of Buenos Aires, Argentina. She has pursued post-doctoral training at Pompeu Fabra University (Barcelona), where she is now a member of the Research Group in Health Sciences and teaches classes in Bioethics. Since 2019, she has been a researcher and lecturer with the Chair of Bioethics of the University of Vic\u2013Central University of Catalonia. At present, her main research interests are studies in cinema and TV series and their use as didactic material in education innovation proposals.<\/p>\n Dr.\u00a0Alfonso Freire S\u00e1nchez<\/a>:<\/strong> PhD in Communication Sciences. Freire\u2019s line of research focuses on the study of transmedia audiovisual narratives, character building and brand storytelling.<\/p>\n Dr.\u00a0Jorge Mart\u00ednez Lucena<\/a>:<\/strong> Professor in mass media and communication at Abat Oliba CEU University. At present, Mart\u00ednez is studying the social imaginaries of pain and mental illness in contemporary TV series.<\/p>\n Dr. Marta Pi\u00f1ol<\/a>:<\/strong> Now a lecturer at the University of Barelona, Pi\u00f1ol has also taught classes in the History of Cinema, History and Theory of Photography, Documentary Cinema and Art Direction at the Open University of Catalonia (UOC), UIC Barcelona and ESCAC. Pi\u00f1ol studied History of Art and has earned a master\u2019s degree in Advanced Studies in the History of Art and a PhD from the University of Barcelona, obtaining an extraordinary prize in all three cases. Her thesis was the recipient of the Doctors\u2019 Senate Award. She is the author of books entitled Ascetic Gazes: Poetics of alienation in modern and contemporary cinema (Shangrila Ediciones, 2022), Europe as Refuge: Filmic reflections of diverse Spanish exiles (1939-2016) (Edicions UB, 2020) and Con las maletas a otra parte: La emigraci\u00f3n espa\u00f1ola hacia Europa en el cine (Sans Soleil Ediciones, 2020), which offers a look at film representations of Spanish emigration to Europe. She has also edited a host of works on visual culture, published a variety of papers, taken part in several conferences and translated a range of volumes. She has been a visiting lecturer at the University of Toulouse\u2013Jean Jaur\u00e8s and has won a research grant from the Harry Ransom Centre (USA)<\/p>\n Dr.\u00a0<\/strong>Jos\u00e9 Luis Terr\u00f3n: <\/strong><\/a>Health Communication<\/p>\n Dr. <\/strong>Montserrat Vidal-Mestre:<\/a>\u00a0<\/strong>PhD in Communication Sciences. Vidal-Mestre\u2019s line of research focuses on the study of the audiovisual component of communication based on an analysis of narratives, characters and brands.<\/p>\n [\/et_pb_text][et_pb_text admin_label=”metas” _builder_version=”4.18.0″ _module_preset=”default” custom_margin=”||40px||false|false” custom_padding=”||40px||false|false” border_width_bottom=”1px” global_colors_info=”{}”]<\/p>\n Dr. Patricia Prieto-Blanco<\/a>:<\/strong> Photography and visual cultures.<\/p>\n [\/et_pb_text][et_pb_text admin_label=”metas” _builder_version=”4.18.0″ _module_preset=”default” custom_margin=”||40px||false|false” custom_padding=”||40px||false|false” border_width_bottom=”1px” global_colors_info=”{}”]<\/p>\n Dr. Carla Gracia Mercad\u00e9<\/a>:<\/strong> PhD in Creative Writing from Bath Spa University in England and a lecturer in writing at the International University of Catalonia (UIC). In her career as a writer, Gracia has published three novels, a biography, two collections of essays and two short stories with major Spanish and international publishing houses. As part of the project entitled \u201cVisibilising pain: visual narratives of illness and transmedia storytelling\u201d, she has taken part in the second international seminar called \u201cVisibilising it: brand storytelling and narratives of illness\u201d and in the fourth international conference on cinema and comics, where she contributed the paper \u201cMental health problems as a justification for evil: the case of the Joker\u201d, which will be published as a chapter of an indexed book. Gracia is also a member of the British Sociological Association (BSA), where she has given a lecture on autofiction and illness at the University of Oxford. Her lines of research are biofiction, transmedia narrative, the writing process and transnational writing.<\/p>\n [\/et_pb_text][et_pb_text admin_label=”metas” _builder_version=”4.18.0″ _module_preset=”default” custom_margin=”||40px||false|false” custom_padding=”||40px||false|false” border_width_bottom=”1px” global_colors_info=”{}”]<\/p>\n Dr Uschi Klein:<\/a><\/strong> Autism and Photography<\/p>\n Dr. Deborah Madden<\/strong>: Medical Humanities.<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ prev_background_color=”#ffffff” admin_label=”Section” module_id=”bioetica-imagenes-y-Covid-19″ _builder_version=”4.18.0″ background_color=”#ededed” custom_padding=”10px||10px|||” top_divider_style=”slant” top_divider_height=”40px” global_colors_info=”{}”][et_pb_row admin_label=”Row” _builder_version=”4.18.0″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_padding=”51px|||||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text admin_label=”metas” _builder_version=”4.18.0″ _module_preset=”default” text_font=”|600|||||||” text_text_color=”#000000″ text_font_size=”18px” header_2_font=”|700||on|||||” header_2_text_color=”#4DC8C5″ global_colors_info=”{}”]<\/p>\n (2020-2021)<\/strong><\/p>\n Convocatoria 2020\u00a0Becas de investigaci\u00f3n\u00a0sobre bio\u00e9tica, Fundaci\u00f3 V\u00edctor Gr\u00edfols i Lucas<\/a><\/p>\n [\/et_pb_text][et_pb_text admin_label=”metas” _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”]Montse Morcate <\/a>(Co-IP): Fotograf\u00eda, muerte y duelo \/ Photography, death & grief<\/p>\n Rebeca Pardo<\/a> (Co-IP): Fotograf\u00eda, enfermedad, duelo anticipado y autorreferencialidad \/ Photography, illness, anticipatory grief & self-reference[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ prev_background_color=”#ededed” admin_label=”Section” module_id=”compartiendo-el-dolor” _builder_version=”4.18.0″ background_color=”#FFFFFF” custom_padding=”10px||10px|||” top_divider_style=”slant” top_divider_height=”40px” global_colors_info=”{}”][et_pb_row admin_label=”Row” _builder_version=”4.18.0″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_padding=”60px||||false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text admin_label=”metas” _builder_version=”4.18.0″ _module_preset=”default” text_font=”|600|||||||” text_text_color=”#000000″ text_font_size=”18px” header_2_font=”|700||on|||||” header_2_text_color=”#4DC8C5″ global_colors_info=”{}”]<\/p>\n (2015-2017)<\/strong><\/p>\n Proyecto de\u00a0Investigaci\u00f3n financiado por una Ayuda de la Fundaci\u00f3n BBVA a\u00a0Equipos de Investigaci\u00f3n en el \u00c1rea de Humanidades Digitales (2015-2017).[\/et_pb_text][et_pb_text admin_label=”metas” _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”]Rebeca Pardo<\/a> (IP- Research Project Manager): Fotograf\u00eda, enfermedad, duelo anticipado y autorreferencialidad \/ Photography, illness, anticipatory grief & self-reference<\/p>\n Montse Morcate <\/a>(Research Project Manager and Co-Author of the project): Fotograf\u00eda, muerte y duelo \/ Photography, death & grief<\/p>\n M. Dolors Tapias<\/a>: Fotograf\u00eda y Paisaje \/ Photography & landscape<\/p>\n Edgar G\u00f3mez Cruz<\/a>: Etnograf\u00eda digital \/ Digital Ethnography<\/p>\n Gorka L\u00f3pez de Mun\u00e1in<\/a>: Historia del arte y Antropolog\u00eda visual \/Art History & Visual Anthropology<\/p>\n Ander Gondra Aguirre<\/a>: Historia del arte y Antropolog\u00eda visual \/Art History & Visual Anthropology[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ prev_background_color=”#FFFFFF” admin_label=”Section” module_id=”artes-visuales” _builder_version=”4.18.0″ background_color=”#ededed” custom_padding=”10px||10px|||” top_divider_style=”slant” top_divider_height=”40px” global_colors_info=”{}”][et_pb_row admin_label=”Row” _builder_version=”4.18.0″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” custom_padding=”51px|||||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text admin_label=”metas” _builder_version=”4.18.0″ _module_preset=”default” text_font=”|600|||||||” text_text_color=”#000000″ text_font_size=”18px” header_2_font=”|700||on|||||” header_2_text_color=”#4DC8C5″ global_colors_info=”{}”]<\/p>\n (2012-2013)<\/strong><\/p>\n Financiado por: Generalitat de Catalunya[\/et_pb_text][et_pb_text admin_label=”metas” _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”]Rebeca Pardo<\/a>: Investigadora \u00fanica del proyecto[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.18.0″ _module_preset=”default” background_color=”#a3a3a3″ custom_padding=”0px||0px||false|false” top_divider_style=”slant” top_divider_color=”#ededed” top_divider_height=”39px” global_colors_info=”{}”][et_pb_row _builder_version=”4.18.0″ _module_preset=”default” custom_padding=”20px||0px||false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.18.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_cta title=”Contacto:” admin_label=”Llamada a la acci\u00f3n” _builder_version=”4.18.0″ body_line_height=”1.5em” body_link_text_color=”#000000″ background_enable_color=”off” background_size=”initial” background_position=”top_left” background_repeat=”repeat” text_orientation=”left” custom_padding=”||20px|0px|false|false” use_border_color=”off” border_color=”#ffffff” border_style=”solid” button_letter_spacing_hover=”0″ locked=”off” global_colors_info=”{}” button_text_size__hover_enabled=”off” button_one_text_size__hover_enabled=”off” button_two_text_size__hover_enabled=”off” button_text_color__hover_enabled=”off” button_one_text_color__hover_enabled=”off” button_two_text_color__hover_enabled=”off” button_border_width__hover_enabled=”off” button_one_border_width__hover_enabled=”off” button_two_border_width__hover_enabled=”off” button_border_color__hover_enabled=”off” button_one_border_color__hover_enabled=”off” button_two_border_color__hover_enabled=”off” button_border_radius__hover_enabled=”off” button_one_border_radius__hover_enabled=”off” button_two_border_radius__hover_enabled=”off” button_letter_spacing__hover_enabled=”on” button_letter_spacing__hover=”0″ button_one_letter_spacing__hover_enabled=”off” button_two_letter_spacing__hover_enabled=”off” button_bg_color__hover_enabled=”off” button_one_bg_color__hover_enabled=”off” button_two_bg_color__hover_enabled=”off”]<\/p>\n Rebeca Pardo<\/a><\/strong>VISUAL ARTS AND ILLNESS<\/h3>\n
COMMUNICATION<\/h3>\n
VISUAL CULTURE<\/h3>\n
CREATIVE WRITING<\/h3>\n
COLLABORATORS<\/h3>\n
\u00c9TICA DE LAS IM\u00c1GENES DE LA ENFERMEDAD, LA MUERTE Y EL DUELO EN TIEMPOS DEL COVID-19<\/h2>\n
COMPARTIENDO EL DOLOR Y EL DUELO ONLINE: La imagen digital autorreferencial de la enfermedad y la muerte como elemento de desestigmatizaci\u00f3n, conexi\u00f3n, visibilizaci\u00f3n y copresencia<\/strong><\/h2>\n
Artes Visuales con Alzheimer<\/h2>\n
Universitat Internacional de Catalunya<\/p>\n